Thursday, June 28, 2007

A Mighty Wind is Coming

#100 Gone with the Wind by Margaret Mitchell


I accuse Miss Scarlett in Georgia with the Southern drawl.

It's funny how a book longer than 1,000 pages can have such an abrupt ending. But Gone With the Wind somehow managed to find a way - andI loved every minute of it.

This novel may have been the most interesting thing I’ve ever read cuz it had everything - war, sex, adultery, chivalry, miscarriages, debauchery, the Ku Klux Klan and violent unexpected deaths. Margaret Mitchell only wrote one novel, so I suppose she had to squeeze everything into this one.

QUICK PLOT OUTLINE - Scarlett O’Hara is a spoiled brat daughter of a plantation owner living as a teenager right before the beginning of Civil War in Georgia. When the war strikes, her bubble of indifference is popped and she is forced to survive or be swept away with the rest of the dying South. GWTW follows her through three husbands (and children), the death of her parents, her fixation with Ashley Wilkes - the one that got away - and her obsession with money.


By the way, Rhett Butler doesn't say, "Frankly my dear, I don't give a damn" in the book. The idea is there but it's altered for the film.

There are many, many different facets of this book that could easily be turned into thirty page papers, so I will briefly talk about three (No matter what I do this will probably still sound like I'm writing a high school English paper).

First, Scarlett is constantly criticized by her elders for aligning herself with Carpetbaggers and thus becoming a "scalawag." Scarlett is a self-serving bitch and Mitchell does a great job pointing that out (not often is the protagonist as less likable as Mrs. O'Hara-Hamilton-Kennedy-Butler), however, I'm not sure if I could blame her for this strike. In the time after the peace at Appomattox, Republicans from the North did everything in their power to lord themselves over the fallen former Confederacy - they got rid of all their workers (slaves, sure, but it still hurt their economy plenty), prevented almost all Confederates from voting - and therefore, all Democrats - as well as taxing everything mercilessly thus preventing the South to recover from Sherman's epic march of destruction - after reading this I can still see why some Southerners really HATE Northerners. Scarlett's idea was that she didn't want to be hungry and poor, so why not shack up with the people who could prevent this from happening? It was the general attitude of Southerns to resist any change they could, Scarlett embraced it by - reluctantly and through clenched teeth - doing business with the people. She's a survivor who didn't want to be poor like the rest of the South. Mentally, I think her battle was tougher than the those who waited for the South to rise again. She was progressive at least.


Another point is how awesome and dynamic the characters were. Rhett Butler - played by Cary Grant in the film - was the son-of-a-bitch conman who really had a heart of gold - or at least a heart. Serving as Scarlett's antagonist the entire book, he keeps her in check and reminds the reader on countless instances what a scoundrel she - like him - really is. Melanie Hamilton-Wilkes (her first husband's sister and wife of the man she pines for) is symbolic of unfledging loyalty (to the undeserving Scarlett) and proof that good exists in the world; furthermore, she is an example of good co-existing so beautifully with the evil that is Scarlett - a yin and a yang if you will. And Mammy, the O'Hara's faithful slave/nurse/keeper of the house is an interesting character. Sure, GWTW almost defends the institution of slavery time-and-time again, but I feel it really is trying to accurately illustrate the importance of slaves to the society on both a broad and narrow scope. Mammy is one of the family, what she says goes. No one is respected more in the household (after Scarlett's parents die) and all decisions have to eventually be O.K.'ed by her. She is a pillar of stability and her presence is vital to the furthering of almost all the O'Haras.

The book brings up a theme of regret, too. It's a little corny but to the point. Often, many words are left unsaid, and shortly after a tragedy occurs which prevents true sentiments from ever being fully disclosed. It happens most notably in Scarlett's relationship with Rhett Butler - she never lets him really know how much she cared until it is far too late; her bitchiness, pride and vanity would not budge enough to have a healthy marriage with the only man who really understood her. So, for all you kids out there, don't be a C-word and keep a tough exterior that prohibits those who love you from really helping you.

Well that's all the folksy wisdom I's got fer two-day. Guess Who's Coming to Dinner? (#99) is the next movie and The Hound of the Baskervilles (#99) by Arthur Conan Doyle - he ain't my knight - will be the next novel.

Tuesday, June 5, 2007

Damn Yankees

#100 Yankee Doodle Dandy directed by Michale Curtiz

Give my regards to Broadway, and to Calvin & Hobbes, as well.


Coming in next on AFI's glorious list (or last rather) is Yankee Doodle Dandy. Jimmy Cagney stars in this bio-pic of vaudeville and Broadway star George M. Cohan (Not Cohen).

If you don't like singin', dancin', or America-in' you won't like this one. Like Broadway and vaudeville this flick is way over the top, but it works for itself. The premise is a little weak, but probably true (Cohan tells his life story to FDR before receiving a congressional medal of honor). Also its a bit self-serving, as Cohan scripted the movie and executive produced it as well. Throw a bunch of flag wavin' "I want to hump America songs" in there and you got a big ol' can of corn.

However, it works. Cagney is amazing. Any chance he gets - like Cohan - he steals all attention. Watching him dance conjures of memories (although brief) of wanting to be a tap-dancer - I still think it'd be pretty cool. The chemistry with his family (real-life sister plays that role) and wife is staggering. Tears were in mine eye when his father dies (sorry to spoil that, but it is a bio-pic, dads get old and die).

Cohan is proud of his Irish heritage and worked the side-shows as a little leprechaun tap-dancer in the ol' days. It makes him look like a pretty paddy. Stereotypes are a plenty here as most African Americans aren't depicted in the best of lights. I guess that's just how movies were in the 1940s.

This movie doesn't pretend to be a real musical and annoy me, so that's nice. All the songs are done on stage, George isn't just eating dinner and randomly bursting into song, so I can appreciate that - more realistic.

There's one scene where George cons a slightly stupid German dude into producing a play he wrote that got me. I think I can always get behind the classic pulling one over off-the-boat-wealthy-German gag.

So YDD was good. I liked it better than Unforgiven.
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UPDATE on Gone with the Wind -
This book is 1000 pages; so glad on started with a short one. I'm getting there though, so expect my expose on Scarlett O'Hara soon. I have a long train ride back from DC, so maybe I can bang it out then.

Thursday, May 24, 2007

So I guess this wasn't that Oprah movie

#98 Unforgiven directed by Clint Eastwood

It doesn't take Scoob and gang to realize Scrabby Doo always sucks.

Unforgiven (no. 98) is supposedly Clint Eastwood's masterpiece - or was in 1997 when AFI did its list. Eastwood stars in this "anti-western" with Morgan Freeman, Gene Hackman and Richard Harris. This won best picture and best director in 1992, among others.

Basic plot is a whore gets slashed in the face by some drunk cowboy and her fellow 'toots feel he isn't punished enough. So they raise some money and put a reward out to kill this mo-fo. Cue Eastwood, formerly a mo-fo himself, but now a timid, washed-out pig rancher. With his saint of a wife dead (the lady who reformed him of his evil ways), he feels he needs the money to support his young kids. So he, Freeman and some little shit ass-ed annoying Scrabby-Doo type go up to Wyoming to collect the heads and the cash. Mayhem ensues as Hackman is a mo-fo sheriff in his own right.


For me, Hackman really steals the show as Little Bill. Eastwood - though good - is boring at times and isn't nearly as bad-ass as he could be. Hackman kicks the shit out of several people and is not someone I ever want to fuck with. Ever. He definitely earned his best supporting actor nod in this one.

Harris aka Albus Dumbledore is only in two scenes but steals them as fast-talking Brit, "Cowboy Bill." Anyone who references the James Garfield assassination so much is a man after my own heart. However, I wish one of his scenes was more than Hackman kicking his ass.

I liked this movie and can see how it made this list (it must have been tough putting the last few on here). Often, though, I wonder how much some people are acting. Eastwood plays a cool, distant philosopher who has a pain he just can't describe; seems like I've seen it before. Same thing with Freeman as wise, ol' black man, and Harris as...well a British dude. I'm not making the point as clear as I would like to, it seems to me that sometimes famous actors get type-cast into awesome roles that they can easily play because the characters are often very similar to the actors themselves (Eastwood did direct this - and won best director - so, he kinda thought it was good for him).

Good start to my blog for me anyways.
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(Backtracking)
100 - Yankee Doodle Dandy

Tuesday, May 22, 2007

In the beginning.....

The Genesis of My Blog






"And God said to Sam 'Waste your time.'"




Hello world, I finally got roped into this blogging bit. My note on all this is that mine won't be personal, more of a commentary section. Specifically, my comments - on this blog - will be limited to two areas: books and films. Getting even more to the point: it is my goal to read TIME Magazine's 100 Greatest Novels and watch AFI's 100 Greatest Films. My opinions will be anything but expert. If I have already read the novel, then I'll look at a literary criticism or something; I'll watch the movies again....maybe not Citizen Kane, but if I get that far, why not?

I hope to elicit responses and maybe make people look at stuff they wouldn't before.

Either way, I'm in this game now.

UP FIRST

Novel - 100 - Gone With the Wind
Film - 98 - Unforgiven - (I reserved #100 and 99 on InterLibrary Loan....yeah Gloucester County Public Library Branches)