Swashbuckling, roof-top jumping and sexy mustaches are about all I knew going into The Three Musketeers by Alexandre Dumas. It turns out I was wrong on almost all three accounts. I unfairly lumped musketeers in with pirates; Dumas’ men were more gallant than swashbuckling. Also, most of their adventures were personal – not grand political coups – so it involved duel-fighting instead of the jumping. However, the ‘staches did run supreme.
All-in-all most assumptions going into the book were false. Possibly because of my many erroneous assumptions The Three Musketeers went above my expectations (and yes, I expected more than chocolate covered nougat).
The tale is an adventure set in Richelieu-dominated
Lots of royal intrigue throughout the novel, which the musketeers sometimes knowingly and other times ignorantly play a big part in. The brief biography of Dumas in my edition says “his work ignored historical accuracy, psychology, and analysis, but its thrilling adventures and exuberant inventiveness” delighted readers. OK, so the three musketeers might not have been involved with almost all the major events of Louis XIII’s reign, but it's nice to pretend (and a hell of a lot more interesting that way). They were real, though, so that’s all that really matters (Athos, Porthos and Aramis were the known pseudonyms for three down-on-their-luck French nobles).
Another fallacy I had going into this novel, which I feel is very important, is the idea that the three musketeers themselves are the protagonists. FALSE. A younger, smarter, handsomer and better fighting country boy named d’Artagnan is the focus of everything. Not only is he the main character, he also skillfully manipulates the cardinal, the evil Lady de Winter and even the three musketeers.
D’Artagnan drives the plot, but the three friends serve as representations of the human personality - so they are the symbolic mumbo-jumbo (You didn’t think I had the hypothesis of an English major inside of me, did ya?). Athos is the wizened, thoughtful being, Porthos the vein, attention-starved, comedy type, with Aramis serving the spiritual side of things. The phrase “All for one and one for all,” (coined by d’Artagnan, not by one of the three) not only shows their unity in battle, but also exhibits their unity of spirit and mind. Separate they may be stock characters but if viewed as a whole the three musketeers are a complete personality. How ‘bout that for theoretical bull shit?
Respect and honor are concepts Dumas touches upon numerous occasions. In the 17th Century, self-respect and image were more important than life. Death over a frivolous misunderstanding was considered noble. When men walk down the street and a passerby sneezes in the wrong direction, a duel is fought. If a lady is playing Connect Four and her opponent cheats, a duel is fought. Moreover, if a person confuses the definition between “fortnight” and “forthright,” you better believe a duel will be fought.
In addition to views on honor, the author has a unique opinion on women. Dumas depicts a woman as the main villain. Milady aka Lady de Winter aka Countess de La Fere aka